NORTH STAR: MEDITATIONS ON WEIGHTLESSNESS
       
     
In The Dark, We Lose Our Edges
       
     
   Cold Cash  , 2023. Watercolour, ink, graphite on paper 53 ¹⁄₄" x 51 ¹⁄₄”    All I Got To Give    Culminating a twelve year long project of mining the history of dance marathons in the United States of the 1920s and 30’s, Olujimi’s works depict int
       
     
Walk With Me
       
     
 The 3rd Precinct Burns in Minneapolis    Ink and graphite on paper    11x14 inches        HOW TO MOVE AROUND COPS- FOR PRETEENS    Being a big kid    I was told incessantly,    as if I didn’t hear    the first forty times,    how to move in the pres
       
     
WHEN MONUMENTS FALL
       
     
REDSHIFT
       
     
  Barry , 2018. Ink and graphite on paper. 36 x 24”    The first iteration of  Rhapsody Refracted  focused on the final moments of the 89th Academy Awards in which the presenters failed to announce the movie, “Moonlight,” as the winner for the B
       
     
La Ville Radieuse
       
     
 Installation view:  What Endures , 2016.      What Endures  investigates the gesture of dance as a symbol of persistence and resilience amidst the economic downturn and global social upheaval. The focal point of the exhibit,  Just Bec
       
     
 Detail:  I Knew You Before You Was Born , 2016. Wood, brass, glass walking canes, foot stool, faux pearls. 13' 7" x 5' x 1' 7"      Solastalgia  was an exhibition comprised of large-scale sculptures, serigraphs and paintings. The works in the s
       
     
 Installation view:  What's Left to Burn,  2015.      What's Left to Burn?  features a series of serigraphs, a 25 foot sculpture comprised of interlocking platforms,  and a single channel video that was filmed on the sculpture at
       
     
  Untitled  from the  Blind Sum  series, 2014. Giclée print. 24 x 36"      Blind Sum  is a collection of long exposure photographs inspired by dance marathons of the 1930s. These endurance contests would often last several weeks or even months. A mix