Using the architectural form of a dam as a metaphor for the constant manicuring and
mediation of contemporary experience, I explore the maintenance of the margins
and the cultivation of invisibility. To divert, interrupt, manipulate, then re-channel
the force of the Falls parallels the mitigation of experience for the marginal and the
undesirable in order to guarantee aesthetic and psychic cohesion for society as a
whole. What is of greatest interest to me is the human intervention underlying the
seemingly "natural" environment that creates the illusion of inherence or historical
inevitability.

THE NIAGARA PROJECT
 THE NIAGARA PROJECT Wood, paint  THE NIAGARA PROJECT Wood, paint  THE NIAGARA PROJECT Wood, paint  THE NIAGARA PROJECT Wood, paint  THE NIAGARA PROJECT Wood, paint
 THE NIAGARA PROJECT Wood, paint  THE NIAGARA PROJECT Wood, paint  THE NIAGARA PROJECT Wood, paint
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