Detail: I Knew You Before You Was Born, 2016. Wood, brass, glass walking canes, foot stool, faux pearls. 13' 7" x 5' x 1' 7"
Solastalgia was an exhibition comprised of large-scale sculptures, serigraphs and paintings. The works in the show reside at the intersection of numerous issues of current concern to the artist: the state of his city and the nation including gentrification, police killings (both by the police and the killing of police), as well as the challenges of commemoration and loss.
The term solastalgia was coined by Australian philosopher, Glenn Albrecht in 2003. Essentially it is the feeling of homesickness when one is still home. “Solastalgia is when your endemic sense of place is being violated,” Albrecht describes. Though the term originally references the psychological displacement of farmers due to climate change, Olujimi employs it as a lens to examine the psychoterratica of the five boroughs as a result of a different kind of environmental change.
Oscillating between private and public, Olujimi grapples with the loss of his mentor and guardian angel, Catherine Arline, amidst the cacophony of actions and emotions that has marred the city’s law enforcement over the past year. Arline was a civil servant for the city and state of New York for over 40 years and continued to serve her community of Bedford Stuyvesant, Brooklyn after her retirement as the president and member of various councils and associations locally and throughout the city. Much of her later work attempted to bridge the divide between police and the communities they serve. Over the past year and half the world watched as a string of unfathomable events unfolded in New York City; the non-indictment decision in the Eric Garner killing, the shooting of Officers Liu and Ramos and the public display of disdain by law enforcement for the Mayor during the funerals of two their own, and the unprecedented police work stoppage. In addition to these and other recent events, the works of Solastalgia grow out of interviews Olujimi has conducted with current and retired member the NYPD, community leaders, Arline herself, and his own struggle to convey what words cannot.
Detail: I Knew You Before You Was Born, 2016. Wood, brass, glass walking canes, foot stool, faux pearls. 13' 7" x 5' x 1' 7"
Detail: I Knew You Before You Was Born, 2016. Wood, brass, glass walking canes, foot stool, faux pearls. 13' 7" x 5' x 1' 7"
Detail: I Knew You Before You Was Born, 2016. Wood, brass, glass walking canes, foot stool, faux pearls. 13' 7" x 5' x 1' 7"
Solastalgia, 2016. Installation view
Keys to the City, 2016. Wood, glass keys, sand, ratchet straps. 10' x 5' x 1' 7"
Detail: Keys to the City, 2016. Wood, glass keys, sand, ratchet straps. 10' x 5' x 1' 7"
Solastalgia, 2016. Installation view
Mercy Doesn't Grow On Trees, 2016. Wood, glass, hair, gold leaf, ratchet straps. 12 1/2' x 4' x 2 1/12'
Detail: Mercy Doesn't Grow On Trees, 2016. Wood, glass, hair, gold leaf, ratchet straps. 12 1/2' x 4' x 2 1/12'
Detail: Mercy Doesn't Grow On Trees, 2016. Wood, glass, hair, gold leaf, ratchet straps. 12 1/2' x 4' x 2 1/12'
Detail: Mercy Doesn't Grow On Trees, 2016. Wood, glass, hair, gold leaf, ratchet straps. 12 1/2' x 4' x 2 1/12'
Where From Here, 2016. Brass. 10 x 3 x 2"
Solastalgia, 2016. Installation view
Never the Best Time to Retire, 2016. Silkscreen. 60 x 50"
I Trained for You, 2016. Silkscreen. 60 x 50"
Ultra Lux, 2016. Silkscreen. 60 x 50"
The Waiting Game, 2016. Silkscreen. 60 x 50"
If Not Now, 2016. Silkscreen. 60 x 50"
Solastalgia, 2016. Installation view
Detail: Midnight on Myrtle and Broadway, 2016. Mixed media. Dimensions variable
Detail: Midnight on Myrtle and Broadway, 2016. Mixed media. Dimensions variable
Detail: Midnight on Myrtle and Broadway, 2016. Mixed media. Dimensions variable
Walk With Me (series), 2016. Installation view
Walk With Me (series), 2016. Ink on paper. Each 11 x 14"
Walk With Me (series), 2016. Ink on paper. Each 11 x 14"
Walk With Me (series), 2016. Ink on paper. Each 11 x 14"
Walk With Me (series), 2016. Ink on paper. Each 11 x 14"
Walk With Me (series), 2016. Ink on paper. Each 11 x 14"